Thursday, January 1, 2026

उबारा

अस्वस्थ मनाच्या तळाशी

खोलवर, धुमसत होता

एक निखारा 


वाट पाहत होता

एका स्फुल्लिंगाची

निबरपणाच्या जाड करड्या

आवरणाखाली


लाल केशरी रंगात फुलून 

वर झेपावणाऱ्या ज्वालेतून

कोंडलेला श्वास मोकळा करून

सिध्द करायचं होतं स्वतःचं अस्तित्व 


धगधगता अंगार बनून

दाहकतेची ओळख नव्याने पटवून

सामोरं जायचं होतं अग्निवस्त्र लेवून

इतरांच्या नजरेतील प्रश्नचिन्हांना

एकवार संपवून टाकण्यासाठी



पण अवचित कानी आली 

अभंगाची धून

वागीश्वरीला आळवणारे 

स्तवनाचे सूर

नकळत बिलगून लडिवाळपणे

झिरपले अंतरंगात, आणि

जाणिवांना गोंजारत नेऊन सोडलं प्रगल्भतेच्या उंबरठयावर 


तिथे नव्हता कुठल्याच 

उद्रेकाला थारा

सुरांच्या शीतल शिडकाव्याने

शांतवला निखारा

गर्भात त्याच्पा वसे

ठाम निश्चयाचा

एक आश्वासक उबारा....

Saturday, November 22, 2025

Roots - Theirs and Mine

The pull is inexorable. The connect is eternal. And the delight childlike. 


Just the other day while I walked over to the neighbourhood grocery store I experienced all of these once again in equal measure. 


On the ground below my feet, strewn all over the place were the delicate blossoms of the purple Jacaranda. I looked up to see the tree mostly devoid of leaves, its bare dark brown branches reached heavenwards bearing small clusters of flowers. This year the flowers were sparse, I was disappointed to note. 


But just a few paces ahead was a treat in store for me as there stood another Jacaranda adorned in those pretty amethyst like jewels in shades of mauve, lilac and purple with sprays of green  leaves thrown in for good measure. 


I stood there going back in time that found me cruising through the streets of Kathmandu almost forty years ago. Those were the days when Nepal was a monarchy and the posters of their king and the queen adorned most of the shops that we visited. 


A kaleidoscope of images that flash through my mind include - 

The silvery thread of the Bagmati river flowing in the distance, the Pashupatinath temple with its black glistening shivalinga and the panchamrut abhishek, the wooden houses with the typically large windows, women walking around with babes in their arms, their necks adorned with pretty , colourful strands of tiny shiny beads,the supermarket boasting of beautiful delicate crockery, cosmetics and electronic goods and the many different Japanese and Italian cars that whizzed past us. The exotic cars were a constant source of excitement to someone like me who had till date seen just an Impala in the neighbourhood. 


But the image that has left its indelible imprint on my consciousness is that of an avenue lined with trees adorned with purple blue bunches of flowers. It was  a captivating sight and I naturally wanted to know its name. But to my disappointment none of the people we asked,  knew anything about it. So it was years later that I learnt about the Jacaranda. 

 


The Laburnum was a different story altogether.


 Growing up in Nagpur in the environs of a fragrant garden with large shady trees, vines and shrubs, we were familiar with a large number of them.


 Our neighbouring house had a few Millingtonia or cork trees ,the star gooseberry among others in their huge courtyard.


 But strangely enough we never saw a laburnum anywhere. Neither on excursions nor on picnics and not on any of the road trips. So it was only after I came to Pune that I saw my first ever laburnum far away in the distance one summer afternoon. 


My love affair with the laburnum as a friend called it, started a few years later when I was entranced by the beauty of its vibrantly warm yellow flowers. 

They grew right outside my kitchen window filling the entire space with light. I called them " prakash fule" meaning flowers of light. They literally brightened my day.


The parijatak is another family favourite, its distinctive fragrance easily discernible anytime anywhere. And so it was on a long ago visit to the temple of the family deity. The temple is situated on the top of a hill with a long winding road leading up to it. The bends were steep and scary.

It was while we were on the bends that I suddenly breathed in a familiar fragrance. I wondered where it came from and looked out of the window of the tourist vehicle. And to my surprise the entire stretch had the parijatak blooming on the roadside among the shrubbery. This was highly unusual as one is used to seeing nothing  more than small plants and grass and maybe some wildflowers in the monsoon. I said a silent prayer of gratitude for the person who had so thoughtfully albeit  unknowingly provided these  moments of sensory delight for people like me.


I remember another time of more than twenty five years ago when we had recently shifted to a new residence. There was just one access road to the entrance of our society. On the other side was a narrow bridge that needed widening.  One morning as I walked past the bridge I looked down to see a carpet of green grass dotted with tiny blue flowers with tinier white stamens. They looked so pretty. It looked like a runner to me but short of bringing in a botanist I had no way of knowing its name. 

Then one morning during the Ganesh festival a newspaper article mentioned the twenty one different plants whose leaves were offered to the deity. And lo behold !!  my blue flowers named Vishnukrant were right there in the list. By then of course we had the  internet at our disposal and the information at our fingertips.


But when I think of it today it saddens me to realise that the entire patch of Vishnukrant was destroyed so ruthlessly during road widening, that it didn't have the chance to regenerate. 


But nature did bounce back in a different way with three shrubs of snowy white Tagar or the Pinwheel flower that now bloom with unrestricted ardour on the roadside , resembling stars in the gathering gloom of winter evenings.


The brightly coloured bougainvillea shrubs have been close to my heart right since childhood. We had the red, white, magenta and orange variety in our garden. I learnt it in school that the three, colourful, soft textured things are the bracts that protect the three tiny white flowers that nestle inside. Also that the bright colours attract the bees and insects to help the process of pollination.


I loved every shade, every  colour of the bougainvillea. But those that I saw in the camp area of Pune made me love it even more. The  beautiful old bungalows there had long running compound walls or fences all around. The reds and pinks adorning them looked like a cascade of tiny flowers with hardly any leaves to speak of. So all one could see was splashes of colour stretched out before the eyes as one drove past.


 Our personal nickname for it being the"bogun", we still call it the orange or the red bogun. 


The summer months of April and May bring forth the beauty of the pink and purple crepe myrtle. Soothing to the eyes and enriching to the soul. 


Last year while traveling to Nagpur in late February, I woke up early in the morning. The train compartment was still dark as people slept peacefully. I looked out of the window taking in the passing stations, some parts of it in darkness while some bathed in the milky white light of the tubelights, a single truck passing by on the road adjacent to the track, a stray dog barking away at something while the train rumbled on towards its destination.

As time wore on and the world outside lightened to welcome the day, I could make out trees in the distance. After a while I realised that they all were almost of the same height and looked alike with the same bunches of flowers. I tried in vain to see through the windowpane but it was still too dark to make out anything. 

In a few minutes the train tracks were running parallel to the fields and there were rows and clusters of the same trees. 

As the sun's rosy light spread over the silent landscape, the clusters of flowers turned out to be the richly hued  reddish orange blossoms of the Palash tree or the Flame of the forest. I gazed in wonder at those trees and  those beautiful flowers as they dotted the surroundings. So familiar yet forgotten in the passage of time. 


I became aware of the lady on the opposite berth who was now sitting up. Impulsively I said to her, "Look how the Palash is blooming". She said matter of factly, " Naturally now that Holi is round the corner". It was a common sight for her. But for me being away from my birthplace for a long stretch of time, it was like a homecoming. A going back to the sights, sounds and smells that are so integral a part of one, a part that though relegated to the recessess of the subconscious, glides up to the surface telling one - this is where you come from, this is where your roots are and this is what you always will be.


With the world around us changing so fast, values getting projected in a different garb, relationships hitherto thought of as steadfast losing their charm, the only thing that is reassuring is the place you belong to, the place you call your own, rooted, grounded and inherently strong. 


Just like the Jacaranda, the Laburnum, the Bougainvillea, the Parijatak and of course the Palash.




I often ask myself 

What makes a person -

Not the height

Not the weight 

Not the skin tone 

Not the gait

Not the hair

Not the eyes

It's not theirs 

To call their own 

But

The inner core

That stands apart

In the teeming million

Souls and hearts

Fed by tales and hues

That colour their perceptions 

And their views

And also what they 

Make of it 

A good bad or an ugly fit 

A unique blend of 

This and that

A pinch of salt 

A fistful of flavour 

That lasts for a lifetime 

For them to savour.....




Friday, September 5, 2025

Hues, Shades and Tints


 

 It was just before Diwali when one morning while I was busy making breakfast that I heard a vendor's call.


कलरवाली रांगोळी  दहा दहा रुपयाला. टेम्पो आलाय भरून. 

 

 Our housing society being adjacent to a thoroughfare, witnesses its daily share of vegetable and fruit sellers, bhangarwallas pushing their handcarts laden with all the household junk, a tea vendor on his bicycle with a stainless steel thermos flask tied to the handle, supplying the piping hot beverage early morning and afternoon to the shopkeepers in the vicinity, mattress makers pedalling along making peculiar sounds with the strings on their portable machine, the dhaarwalla - and so the variety continues.... 


Each one of them has his own unique sales pitch that attracts  curious onlookers and definitely prompts a sale or two. 


This rangoli seller too was no exception. He had recorded his catchphrase and was playing it on a loop intermittently, on a hand held loudspeaker using the same strategy adopted by many vendors during the two years of covid. 


Sure enough he soon had a  group of women of all ages surrounding the tempo pointing to the colourful mounds of rangoli of their choice. 


I could see him doing  brisk business from the vantage point of my window. 

The brilliant reds, maroons and orange   heaps of coloured powder vied for attention along with the parrot green, magenta and shimmering shades of blue. 

The soft yellow wedged between deep purple and bottle green,  invited glances too. 


Colours fascinate us all, don't they! 


As I looked at the scene outside the window I saw a little girl in my mind's eye, gazing in absolute wonder at the box she held in her hands. 


It contained a small round white case with a pastel green cover that opened to show twelve triangular compartments filled with kumkum in a variety of colours. It was in the form of a paste that could be applied using the rounded tip of a small thin plastic applicator that was kept in a separate niche. 


Similarly the other box had twelve small elongated slender necked glass bottles with rubber stoppers, filled with dry sparkling kumkum powder, again in an array of pretty colours. 


This was her prize for securing the third place in the annual kathak exam held by the local dance class.

 It was such a prized possession that she kept it hidden in the cupboard drawer far away from prying eyes. 

I remember using the contents  sparingly to make them last for years and years. 


My enchantment with colours probably started from there putting me under their timeless spell. 


 Our pooja room had a small cupboard with the upper shelves filled with packs of agarbatti, camphor, small ghee soaked, ready to light cotton wicks meant for lighting the diya in the morning and evening. Also a large steel container with separate compartments for storing the haldi kumkum, the orange powder called shendur {not to be confused with the red sindoor}, the kumkum mixed rice grains and dhoop powder. 

The lower shelves were reserved for rows and rows of used coffee tins that stored practically every shade of rangoli. 

These tins were meant to be used during festivals when the pooja room, the front entrance and sometimes the space in front of the tulsi vrindavan would be adorned with eye catching designs embellished with the coloured rangoli powders. 

On a daily basis my mother would use the pure  white rangoli and the haldi kumkum to make a beautiful  Swastik in all the three places. Being an artist she drew the white lines with consummate ease,all equal in thickness and straight as an arrow. 

The edges of the swastik had a 

distinctly different design - sometimes a set of three small symmetrical petals, at times just three white dots with a short white curl rising up in their midst or a simple curving line that added so much beauty to this holy symbol. 

That was her trademark swastik. 


During Diwali the front entrance and the courtyard would be ablaze with colour that we would fill into the designs copied painstakingly from the printed books. As was customary  in those days rangoli prints would be available amongst the pages of most Marathi Diwali Ank (magazines) of reputed publishing houses. 


I would often end up wondering if I would ever able to master the skill of making a perfect rangoli complete with vibrant colours that never crossed borders and remained confined to their own boundaries. 


In later years plastic stencils bearing pretty designs flooded the market. Also the wire mesh ones having the holy symbols etched on them. My special favourite out of all those is the Chaitrangan. It has most of the symbols related to our festivals and our culture and also the celestial bodies that we worship. 

The Gudhi Padwa or the Hindu New Year 

fallls on the first day of the month of Chaitra. As the name suggests this rangoli is specifically made during this month. 


It is not just the beauty that appeals to me but the underlying thread of gratitude that runs through everything that we hold sacred. 


The heavens, the plants, the animals - in short the entire cosmic arrangement is our raison d'être, and what better way to show our gratitude than to worship it in the way we know best!! 


In the days gone by when houses were 

earthen structures as dwellings  were made of  materials that were easily available, they were not compleyely guarded  against the insects and other creatures that had easy access to the house. The rangoli outside the house prevented them from entering. The positivity it radiated was as good as a welcoming smile. 



When creativity is given a free rein the results can be amazing. 

 The ubiquitous flower rangoli proves the point. It is equally colourful and as pleasing to the eye as the traditional one. 

I remember one particular rangoli made of parijatak flowers. The monsoon had arrived amidst the usual fanfare. It was the day of Ashadhi Ekadashi and it was almost like the air was pulsating with  the name of Lord Vitthal that was being chanted by the devotees. 

There were several whatsap messages about the auspicious day and among them all was the replica of Vithuraaya made of parijatak flowers. 


There was nothing out of place and the image was perfect. Set against the background of a black stone the image was thrown into relief and it was an amalgamation of simplicity and beauty. 

It was as if the small fragrant flowers with orange stems had offered  themselves to the Divine. 


I feel all of us have to create our own rangoli suited to our needs, requirements and passion. We can then proceed to fill them with colours of our choice - the colours of happiness. 



The blue of the sky

The brown of the earth

The green of the grass

The warmth of the hearth


The flight of a bird

The flower jewels glowing

The kiss of the breeze

The stream gently flowing


The sounds of joy

Of the heavenly choir

Their notes find an echo

In our own little lyre..... 








Sunday, October 13, 2024

दसरा

ते दिवसच वेगळे होते. 

भाद्रपदाचा ऊन पावसाचा खेळ संपता संपताच अश्विनाची चाहूल लागायची. बुचाच्या फुलांच्या झाडावरचा बहर पावसाच्या दांडगाई मुळे पायघड्या घालायला राजी व्हायचा. गगनजाई किंवा आकाशमोगरी अशा काव्यात्मक नावांनी देखील ओळखली जाणारी ही फुले सहस्त्र हातांनी सुगंधाची लयलूट करायची.


त्या धुंद वातावरणात अश्विनाचा प्रवेश अगदी अलगद व्हायचा. देवीच्या नवरात्राचे बसलेले घट, उदा-धुपाच्या वलयांनी आणि काहीशा उग्र वासाने आलेलं एक भारलेपण, सुंदर ताज्या फुलांनी सजलेली देवीची प्रसन्न तसबीर आणि सकाळ- संध्याकाळ म्हटलेली 

"अश्विन शुद्ध पक्षी अंबा बैसली सिंहासनी हो...." ही अतिशय सुरेख चालीची आरती, हे सर्वच कसं अगदी काल घडल्या सारखं वाटतं.


शाळकरी वयात आरतीचा अर्थ फारसा कळत नसला तरी त्यात वर्णन केलेल्या प्रतिपदेपासून तर दशमी पर्यंतच्या अनेक गोष्टी - देवीचा साज श्रृंगार, चौसष्ट योगिनींचा उल्लेख, जाई, जुई,शेवंतीच्या सुगंधी फुलांनी केलेली पूजा,षड्रस युक्त अन्नाचा दाखवलेला नैवेद्य, भक्तांच्या हाकेला धावून जाणारी अष्टभुजा नारायणी, दशमीला सीमोल्लंघन करून शुभं निशुंभांचा नि:पात करणारी अंबा... 

या सगळ्याची भुरळ पडलेली असायची.

रामदास स्वामींची ही आरती ‌म्हणताना मनात मांगल्याचा शिडकावा होत असणार हे आता जाणवतं.


याच दिवसात आमच्या घरापासून थोड्या अंतरावर असलेल्या बंगाली मुलांच्या शाळेच्या पटांगणावर दुर्गा पूजा प्रदर्शन भरायचं.


बंगाली समाजाने आयोजित केलेले हे प्रदर्शन पहायला खूप गर्दी होत असे. एका बाजूला दुर्गा देवीची भव्य मूर्ती असून त्या पुढच्या मोकळ्या जागेत वेगवेगळे स्टॉल लावलेले असत.


इतक्या गर्दीत कधीकधी काही मुलं आणि त्यांच्या पालकांची चुकामूक होई. मग तिथल्या आयोजकांपैकी कोणीतरी लाऊडस्पीकर वरून त्या मुलाचे नाव सांगून त्याच्या पालकांना बोलावून घेई. 


या प्रदर्शनाला जाण्याचं प्रचंड आकर्षण असल्याने आम्ही भावंडं जमेल तितक्या वेळा तिकडे जात असू. अर्थात कधी मोठे भाऊ बरोबर असायचे, कधी काका तर कधी आई-वडील.


एक गोष्ट मात्र प्रकर्षाने जाणवते की इतकी गर्दी असून कधीही कुठल्याही टोळक्याने हुल्लडबाजी, छेडखानी किंवा गोंधळ घातला नाही. आजकालच्या शीघ्रकोपी प्रवृत्ती कडे  झुकणारा समाज बघितला की या गोष्टीचं नवल वाटतं.


प्रदर्शन बघून घरी चालत येताना हातात असायचा एक कॅन्डी फ्लॉस चा अर्धा खाल्लेला गोड गुलाबी कापूस, एखादी माझं नाव कोरलेली की चेन, आणि मनात खूपसं समाधान.


नवरात्राचे नऊ दिवस भराभर संपायचे. मग यायचा दसरा. त्या दिवशी घरातील सर्व वाहने सुस्नात झाल्यावर त्यांच्यावर झेंडूच्या फुलांचे हार चढायचे व त्यांची पूजा व्हायची.

दुपारची जेवणं आटोपली की थोड्या विश्रांतीनंतर संध्याकाळची तयारी सुरू व्हायची. 


संध्याकाळी लोक सोनं द्यायला येणार असायचे. त्यांना देण्यासाठी म्हणून जवळच्या उपाहारगृहातून‌ एक खारा आणि एक गोड पदार्थ आणला जायचा. बहुतेक वेळा समोसे किंवा कचोरी आणली जाई. वेताच्या मोठ्या टोपलीत कागद पसरून त्यावर पदार्थ रचले जात. बर्फी किंवा अन्य मिठाई चे वेगळे बॉक्स असत.


संध्याकाळी साडेपाच पावणेसहा ला वडील इस्त्रीचा पांढरा कुर्ता  व धोतर नेसून तयार असत. त्यांच्या देखण्या व्यक्तिमत्त्वाला तो वेष अगदी खुलून दिसे.

आम्हीही तयार होऊन आत थांबत असू.


थोड्याच वेळात लोक यायला सुरुवात होई. हॉल मधे बाबांना सोनं देऊन झाल्यावर लगेच आम्ही खाण्याच्या बशा भरून त्यांना देत असू. थोड्याच वेळात आमचा हॉल हास्यविनोद आणि गप्पांच्या आवाजाने भरून जाई.



किती छान पध्दत आहे ही. काय नसायचे त्या भेटीत? आदर, प्रेम, जिव्हाळा, आपुलकी आणि बरंच काही. आपल्या पेक्षा वयाने मोठ्या  असलेल्या , आपल्याला गुरूस्थानी, पित्यास्थानी असलेल्या व्यक्ती चा आशीर्वाद आपल्याला लाभावा, त्याच्या सदिच्छा कायम आपल्या सोबत असाव्या आणि त्या मुळे आपल्याला एक उत्तम, उन्नत, उज्ज्वल आयुष्य लाभावे ही उत्कट इच्छा त्या सोनं देण्याच्या एका कृतीतून सामोरी यायची.


हा कार्यक्रम रात्री नऊ पर्यंत चालायचा. दुसऱ्या दिवशी पुन्हा नेहमीचे आयुष्य सुरु व्हायचे. 


पण त्या एका संध्याकाळची महती खूप मोठी होती. हे आता जाणवतं आहे.

आजच्या घटकेला सोनं देणं ही चुकीचं ठरतंय कारण आपट्याच्या झाडांची बेसुमार तोड‌ होते आहे. रस्त्यावरची गर्दी आणि दूरदूरची अंतरं, यामुळे भेटण्यावर येणाऱ्या मर्यादाही आहेतच.


पण त्याहीपेक्षा आत खोलवर कुठेतरी काट्या सारखा सलणारा एक विचार पिच्छा सोडत नाही. तो म्हणजे आपल्यातला जिव्हाळा कमी होऊन  मनावर कोरडेपणाचे थर हलके हलके चढत गेलेत का ? 


जगण्याचा संघर्ष करता करताच आयुष्याने घेतलेला वेग आपल्याला भोवंडून टाकणारा आहे.  त्या वेगात स्वतः:चा तोल सांभाळताना किती गोष्टी आपल्यातून निसटून जात आहेत याचं भान हळूहळू कमी होतंय का?


कधी अपरिहार्यता म्हणून तर कधी स्वतः चा बचाव म्हणून की कधी एखाद्या प्रसंगातून सुटका करून घ्यायची म्हणून.

उत्तरं तर शोधावीच लागणार आपल्याला. पुढील आयुष्य एका वेगळ्या स्तरावर समृद्ध झालेलं पहायचंय ना !!

त्या आदिशक्ती ला निरोप देताना काही निद्रिस्त संवेदनांना जागृती मिळून आयुष्य अधिक सुंदर आणि अर्थपूर्ण व्हावे ही प्रार्थना.


Wednesday, May 29, 2024

Hues, Shades n Tints

It was just before Diwali when one morning while I was busy making breakfast that I heard a vendor's call.


कलरवाली रांगोळी  दहा दहा रुपयाला. टेम्पो आलाय भरून. 

 

 Our housing society being adjacent to a thoroughfare, witnesses its daily share of vegetable and fruit sellers, bhangarwallas pushing their handcarts laden with all the household junk, a tea vendor on his bicycle with a stainless steel thermos flask tied to the handle, supplying the piping hot beverage early morning and afternoon to the shopkeepers in the vicinity, mattress makers pedalling along making peculiar sounds with the strings on their portable machine, the dhaarwalla - and so the variety continues.... 


Each one of them has his own unique sales pitch that attracts  curious onlookers and definitely prompts a sale or two. 


This rangoli seller too was no exception. He had recorded his catchphrase and was playing it on a loop intermittently, on a hand held loudspeaker using the same strategy adopted by many vendors during the two years of covid. 


Sure enough he soon had a  group of women of all ages surrounding the tempo pointing to the colourful mounds of rangoli of their choice. 


I could see him doing  brisk business from the vantage point of my window. 

The brilliant reds, maroons and orange   heaps of coloured powder vied for attention along with the parrot green, magenta and shimmering shades of blue. 

The soft yellow wedged between deep purple and bottle green,  invited glances too. 


Colours fascinate us all, don't they! 


As I looked at the scene outside the window I saw a little girl in my mind's eye, gazing in absolute wonder at the box she held in her hands. 


It contained a small round white case with a pastel green cover that opened to show twelve triangular compartments filled with kumkum in a variety of colours. It was in the form of a paste that could be applied using the rounded tip of a small thin plastic applicator that was kept in a separate niche. 


Similarly the other box had twelve small elongated slender necked glass bottles with rubber stoppers, filled with dry sparkling kumkum powder, again in an array of pretty colours. 


This was her prize for securing the third place in the annual kathak exam held by the local dance class.

 It was such a prized possession that she kept it hidden in the cupboard drawer far away from prying eyes. 

I remember using the contents  sparingly to make them last for years and years. 


My enchantment with colours probably started from there putting me under their timeless spell. 


 Our pooja room had a small cupboard with the upper shelves filled with packs of agarbatti, camphor, small ghee soaked, ready to light cotton wicks meant for lighting the diya in the morning and evening. Also a large steel container with separate compartments for storing the haldi kumkum, the orange powder called shendur {not to be confused with the red sindoor}, the kumkum mixed rice grains and dhoop powder. 

The lower shelves were reserved for rows and rows of used coffee tins that stored practically every shade of rangoli. 

These tins were meant to be used during festivals when the pooja room, the front entrance and sometimes the space in front of the tulsi vrindavan would be adorned with eye catching designs embellished with the coloured rangoli powders. 

On a daily basis my mother would use the pure  white rangoli and the haldi kumkum to make a beautiful  Swastik in all the three places. Being an artist she drew the white lines with consummate ease,all equal in thickness and straight as an arrow. 

The edges of the swastik had a 

distinctly different design - sometimes a set of three small symmetrical petals, at times just three white dots with a short white curl rising up in their midst or a simple curving line that added so much beauty to this holy symbol. 

That was her trademark swastik. 


During Diwali the front entrance and the courtyard would be ablaze with colour that we would fill into the designs copied painstakingly from the printed books. As was customary  in those days rangoli prints would be available amongst the pages of most Marathi Diwali Ank (magazines) of reputed publishing houses. 


I would often end up wondering if I would ever able to master the skill of making a perfect rangoli complete with vibrant colours that never crossed borders and remained confined to their own boundaries. 


In later years plastic stencils bearing pretty designs flooded the market. Also the wire mesh ones having the holy symbols etched on them. My special favourite out of all those is the Chaitrangan. It has most of the symbols related to our festivals and our culture and also the celestial bodies that we worship. 

The Gudhi Padwa or the Hindu New Year 

fallls on the first day of the month of Chaitra. As the name suggests this rangoli is specifically made during this month. 


It is not just the beauty that appeals to me but the underlying thread of gratitude that runs through everything that we hold sacred. 


The heavens, the plants, the animals - in short the entire cosmic arrangement is our raison d'être, and what better way to show our gratitude than to worship it in the way we know best!! 


In the days gone by when houses were 

earthen structures as dwellings  were made of  materials that were easily available, they were not compleyely guarded  against the insects and other creatures that had easy access to the house. The rangoli outside the house prevented them from entering. The positivity it radiated was as good as a welcoming smile. 



When creativity is given a free rein the results can be amazing. 

 The ubiquitous flower rangoli proves the point. It is equally colourful and as pleasing to the eye as the traditional one. 

I remember one particular rangoli made of parijatak flowers. The monsoon had arrived amidst the usual fanfare. It was the day of Ashadhi Ekadashi and it was almost like the air was pulsating with  the name of Lord Vitthal that was being chanted by the devotees. 

There were several whatsap messages about the auspicious day and among them all was the replica of Vithuraaya made of parijatak flowers. 


There was nothing out of place and the image was perfect. Set against the background of a black stone the image was thrown into relief and it was an amalgamation of simplicity and beauty. 

It was as if the small fragrant flowers with orange stems had offered  themselves to the Divine. 


I feel all of us have to create our own rangoli suited to our needs, requirements and passion. We can then proceed to fill them with colours of our choice - the colours of happiness. 



The blue of the sky

The brown of the earth

The green of the grass

The warmth of the hearth. 


The flight of a bird

The flower jewels glowing

The kiss of the breeze

The stream gently flowing


The sounds of joy

Of the heavenly choir

Their notes find an echo

In our own little lyre..... 


My not so perfect rangoli


 Rangoli stencils
Chaitrangan