Friday, October 15, 2021

The Yearly Ritual

There is a slight nip in the air as I walk along the road that is almost devoid of traffic at that early morning hour. Last evening's thunderstorm has left it dotted with  the creamy white, long stemmed, fragrant flowers of the cork tree . 
The thunderstorm of course is the result of the returning monsoon ,but I prefer to call it hastacha paaus as it heralds the advent of the eagerly awaited Durga Puja or the Navratra. Hasta incidentally is one of the nine nakshatras or asterisms that bring rain to the waiting arms of the earth. 

Another beautiful sight that always gladdens my heart is that of the twin kanchan or Bauhinia trees in full bloom, their pink and almost purple flowers smiling in all their glory. Also known as the Orchid tree as the flowers resemble pink orchids, it unfailingly blossoms in the days preceding Navratra. 
But to my disappointment there were no flowers to be seen when I checked the trees last week. Sadly the weather seemed to have played havoc here too. 

In recent years the festival has come to be associated with different colours, a belief that doesn't have its roots in mythology nor tradition nor culture, as it was simply a sales gimmick adopted by a newspaper that somehow clicked and caught on. 

So each of the nine days got a colour of its own which was replicated in women's apparel. There is no compulsion there, just a willingness to follow a trend. As is the case with all trends this one too has had its share of ridicule. But I simply look at it as a feel good factor for all those who abide by it. It offers a change from the daily routine , a chance to forget your troubles for a while and to bask in the comfort of being with your colleagues who are also your friends. 

The picture was a lot different when I was a kid. Except for the flowers of the cork tree that we would collect from our neighbour's front courtyard to make venis, Navratra was something else. 
My earliest memory is that of the glistening white walls when our kitchen and the deoghar was whitewashed by the regular mistri. This was done just a few days before the beginning of the festival. 

The goddess was worshipped with great devotion and we would sing the very melodious and meaningful aarti that describes the nature of worship on all the nine days and how on the tenth day she killed the demon Mahishasur. 

The biggest attraction would be the Durga Puja exhibition that would be held every year during the nine day period. As it would be held in the huge grounds of a school in the vicinity, our evenings were spent in happy anticipation of the visit. As the venue was just a few lanes away we could hear all the announcements, songs being played, jokes being cracked and the funny sounds made by the PA system. Actually it would be our lullaby as we would often fall asleep listening to them. 


The exhibition was a definite crowd puller with stalls selling everything from toys to books to footwear and what have you. Our first visit would be with my parents, the second with all our cousins and the third with any member of the family who hadn't yet been there. 

The three idols of the goddess Durga were erected atop a platform. Their sparkling silver coloured adornments, the beautifully painted faces and the lustrous black eyes looked lovely in the gathering dusk. The air would be redolent with the fragrance of incense and dhoop. 

After having had our darshan, the first stop would invariably be at the person selling candy floss. I remember being mesmerized by the process. The coloured  sugar went round and round the container spinning itself into a huge ball of fluff on a long stick. Licking the pink stuff, trying to take a bite and making it stick all over the mouth was nothing short of heaven. 
Then there were stalls selling pretty mojadis with colourful motifs. 

Another hot favourite was the keychain stall. Keychains of all sizes and shapes would be hung all over the place, that glinted as they moved in the light evening breeze. 
 The shapes ranged from hearts to arrows to plain circles or rectangles to squares. They were pieces of colourful plastic that somehow had a glass like appearance. And the best part of buying one was that you could get your name printed on it in the colour of your choice. To be the proud owner of one, completed our happiness as we walked back home with our prized possession clutched firmly in our hands. 

Vijayadashmi or Dasara being the tenth day would be spent in seeking blessings from all the elders in the family. The ritual of exchanging Apta leaves would be followed religiously by everyone. But now with the changing scenario of the trees being cut with blatant disregard to environment, we have stopped buying and distributing them. 

The ritual is the same year after year but always brings new energy and joy to our lives. Let us hope that we alllow nature too to follow its own ritual year after year so that the future generations can live happily ever after. 

Tuesday, September 21, 2021

Of Healing Hands

Today being the eightieth birthday of my husband's aunt, Dr Pushpa Pant, a paediatrician and a physician, I thought it to be a fitting occasion to express my gratitude through this poem. I always thought that a mere "thank you" was extremely inadequate to reveal the true magnitude of my feelings. 

A touch that heals
A word that calms
The troubled mind
Like a soothing balm
Can be no one else's
But yours

A hand that brushes
A falling tear
And so often lends
A patient ear
Can be no one else's
But yours

A reassuring smile
Saying all is well
Lightens one's heart
And is quick to repel
All anxious thoughts
Running pell mell, 
Can be no one else's
But yours

So here's a wish
On your eightieth birthday
May all joyous moments
Always come your way
Offering a prayer
To The Almighty today
To keep you safe 
And away from harm's way. 

Monday, August 30, 2021

जन्माष्टमी

युगानुयुगे लोटली
त्या अद्भुत क्षणाला
बंदिस्त कोठडीत जेव्हा
तुझा जन्म झाला

कैक वेळा ऐकली
रे , तुझी जन्मगाथा
परी भूल नाही लोपली
रे , श्रवणून ती कथा

तुला जोजवाया आल्या 
सहस्त्र श्रावणधारा
संगे घेऊन सौदामिनी
अन् उधाणलेला वारा

कालिंदी  झेपावत येई
तुझ्या चरणस्पर्शाला
वाट मोकळी करून देई
 त्या वत्सल पित्याला
 
नंदघरी ती निजली माता
कुशीत योगमाया
तात उभे धरून हृदयी
तुझीच शामल काया

दाबून उरी कल्लोळ
संमिश्र भावनांचा
ठेवा अमूल्य सोपवून 
पथ धरिला मथुरेचा

गोकुळ सारे मोहरले
पाहून साजिरा तान्हा
लडिवाळ मुग्ध ते रूप
तूच कृष्ण तूच कान्हा

सारी तुझीच किमया
लीला म्हणू की खेळ
चराचरात व्यापलेला 
तू श्याम तू घननीळ.... 

Medhavini 
30th August 2021

Sunday, February 28, 2021

Memories of Bhel, Panipuri and Love

I for one am a firm believer in the truism that we as individuals are constantly living in the past as well as in the present. The triggers of course can be as varied and as bizarre as they come. A fragrance here and a sound there or a song from an old movie or the opening lines of a poem long forgotten and lost in the labyrinths of our mind. 


Well, something strange but similar happened today. While I was cooking dinner my son went to get some bhel from our neighbouring bhel shop. I didn't want any, but he offered me a spoonful of his favourite dahi-bhel. The minute I tasted it, time seemed to stop still. I switched off the gas stove and savoured the taste and the moment that took me decades back to those evenings spent at Madhuvanti, a place in Nagpur that sold bhel , Panipuri and ganne ka ras in the summer. I wouldn't call it a restaurant per se but a place for families and friends to spend an enjoyable evening together. 


I was surprised that I should be reminded of the taste of long ago by a spoonful today, when I must have had heaps over the years but nothing jogged a memory like this one. 


Madhuvanti :

Madhuvanti was an open air eatery where tables and chairs were placed on the lawn interspersed with light bulbs in fancy holders. A stone pathway led the way to the counter through the middle of the lawn. We as kids would love to walk up and down the stony path. There was a beautifully painted  wooden replica of a tree with coloured lights blinking at intervals and a radio inside a case would be hung on it that invariably played the melodious song" Bole re papi hara" from the film Guddi, a hugely popular movie of the early seventies.


Being a short walk from our house,it was our favourite place to go on a summer evening. At times our post dinner walk would end at Madhuvanti to relish a glass of cold sugarcane juice. Life offered simple pleasures then and happiness was always there for the taking. 


As I was recounting all of this to my son I could picture us siblings sitting around a table along with our parents enjoying bhel or panipuri. A clumsy movement at times resulted in a spoon clattering to the floor or causing water to slosh on the table. My father would promptly ask for a fresh spoon and the incident would be forgotten. Before we left he would walk up to the counter to exchange pleasantries with Mr Pathak , the owner who knew most of the local residents quite well.

Ashoka :

Despite his busy schedule my father made time for us. My parents' anniversary was incomplete without the customary dinner at Ashoka, a fancy restaurant in the upmarket area of Sadar. We simply loved to dine at this place with a quiet ambience that had soft music playing in the background. The food was good with the dessert being the highpoint of the meal, which would be a choice between caramel custard and ice cream. 

A single square of vanilla or strawberry ice cream would be served in a quarter plate, speared with a pastel yellow rectangular wafer biscuit. 

 Dinner at Ashoka has a somewhat scary memory linked to it and though I don't know why I can still recall the details. There would be a beggarman moving in the area, a dark, bald man in a dirty shirt and pyjama with a deranged look on his face. 

 

Beggarman :

 Once while we were having dinner he  caught our eye and started making faces at us through the  window panes. We  ignored him and continued with the meal. But he was lying in wait outside the restaurant and started shouting and running behind us as soon as we emerged through the heavy doors. My father who had walked ahead to the car heard the commotion and shooed the beggarman away, his voice resonating through the night. 


As I came to the end of my story I realized that we were talking about my father on his birthday. We talk about my parents quite often as my children have fond memories of holidays spent with them in Nagpur. But talking about him on his birthday made me feel happy and somehow close to him. 

I took it as a sign that told me of his presence all around me, unseen yet tangible, as strong and commanding as he was. 


His fragrance as beautiful as the parijatak blossoms, lingers on, enveloping us in its warm embrace just like the gentle breeze that floats in through an open window.