Wednesday, June 22, 2022

The Flavour Of Summer Nights



The Indian summer is well known for its brutal onslaught of heat - unrelenting and harshly punishing. The picture is all too familiar to someone who has grown up in Nagpur, where the word "sunstroke" crops up very casually in conversations among children and adults alike. 

The word also brings back a sharp memory of Mrs Nair, our KG. 2 teacher having a dizzy spell, and suddenly stepping out on the tiny balcony of our classroom where she rested for a few minutes. We were all of five years old then and knew that it was a touch of the sun that had caused it. 

While the heat and dust of daytime is dealt with by people using all the resources available to them, the charm of summer nights is never spoken about. The story remains untold as it gets sort of overshadowed by the trials and tribulations of summer days that everyone has to endure while seeing the summer through. 
The nights come wrapped in perfumes of a variety of summer flowers that bloom with gay abandon, bathing everything around them in their heavenly fragrance. 
It is nature's sweet and silent way of soothing the frayed nerves and tempers of the heat weary people. 

The tiny white Raatrani flowers growing in clusters on a large shrub have a rather strong overpowering scent that can be appreciated only in small doses. 
Summer and Jasmine are synonymous to say the least as one is incomplete without the other. The stark bare brown stems rising out of the brown soil hardly clamour for attention as they look more like sticks pulled out of a broom and stuck into the soil. 

But the rising temperatures almost act as a growth stimulating hormone and within days the stems are covered with tiny green petioles supporting the steadily growing baby leaves. 
The impatient wait for the buds to appear is soon rewarded when tender green sepals burst forth cradling the pearly white buds. 

The tightly whorled buds slowly grow bigger and one fine night the soft petals unfurl bit by bit to unleash the most distinctive and refreshing perfume that leaves me enchanted. 

The sweetly intoxicating scent emanating from a wild profusion of the pink and white Rangoon Creeper is equally heady. 

In the quiet of the dark warm night when the scented breeze wafts over in a gently teasing manner there is a momentary cleansing of the heart and mind as there is no room for another thought in either of the places. The fragrance, so pure and beautiful seems to fill it all. 
We have a lot to be grateful for, don't we ! 

The exclusivity of our summer nights lies in our privilege to sleep under the stars, under the huge canopy of the dark sky while being lulled by the night sounds into a deep comforting sleep. 

In the days of yesteryear it was something of a ritual. It started a few days after Holi when the days would get warmer and the.nights wouldn't be as chilly. Soon a day would be chosen and the excitement would begin. 

As the daylight stretched well into the evening the terrace or the courtyard would be cooled by drenching it with a few buckets of water.
 Then the beds would be brought out along with the bed linen. At times the mosquito nets would be put up too. The sleeping arrangements would also include a Surai, an earthen pot filled with water. It would be kept on a waist high projection of the terrace wall. 
 
 Lying down on the cool sheets at bedtime was most pleasurable. 
 Much later the silence of the night would be punctuated by the shrill sound of the Gurkha's whistle and the banging of his stick as he would make his customary rounds along all the lanes of the area. It was enough to strike fear into the hearts of innocent bachchas like me. 
Gazing up at the sky trying to locate the saptarshis and sometimes trying hard to count as many stars as possible, the magical fingers of sleep would slowly glide across the eyes and many hours later we would wake up to the screeching sound of the parrots as they winged across the blue sky to go in search of food. 

I particularly remember one night spent on the terrace of an acquaintance of my father, while we were on a road trip to Pune. That night our gracious hosts put up extra mattresses on the terrace of their house. As it was a small town there were just a few scattered houses in the vicinity and nothing to spoil the pristine beauty of the sky. 
We fell asleep with the cool night breeze sighing all around us. As dawn approached I opened my eyes and gazed in wordless wonder at the expanse of the sky. 
That star studded bed of velvet appeared so close that I almost imagined that if I stretched out my hand I could easily pluck the stars out of the sky and string them in a thick beautiful gajra
The beauty of that night has stayed with me through all these years and the memory brings a lot of tranquility with it. I look at it as a gift offered so effortlessly by none other than a summer night. 
Nature I feel enhances the goodness in a person while melting away the sharp jagged edges of all the negativity that lies at the deepest end of the labyrinth of one's mind. 

Now with changed times it is no longer possible to continue with the old ways and mostly people prefer to sleep indoors enjoying the comfort of the desert coolers or within the cool confines of their air conditioned houses. 

 But even now at the end of a sultry day when the house becomes unbearably hot, I stand at the window loving the feel of the cool breeze on my face, my first thought is about placing my bed  outside near the gate and going off to sleep without a care in the world. 

Oh well! That's wishful thinking of course. Nevertheless the beauty of summer nights will continue to be eternal and timeless. 

So here's what my muse aka the summer night has inspired me to write.. 

Summer days are long and hot
Ruled by the scorching sun
Blazing down on earthly beings
In a glory matched by none

Peeping stars at eventide
Herald the end of day
Birds rush back to rest n nestle
In their nests of twigs of hay

The warm flagstoned garden
Awaits a familiar footfall
To wrap it ever so lightly
In its sweetly scented shawl

The cloak of darkness falls softly
The breeze a soothing balm
The world sighs contentedly
And sleeps in grateful calm...... 
 

Sunday, March 27, 2022

अ गिफ्ट टू मायसेल्फ

या वर्षीची जागतिक महिला दिनाची संध्याकाळ माझ्यासाठी खूपच खास होती. वास्तविक दर वर्षी या दिवशी फार वेगळं असं काहीच घडत नाही.  मैत्रिणी, नातेवाईक यांना शुभेच्छा देण्या पलीकडे तर काहीच नाही. 

बहिणीला तिच्या वाढदिवसानिमित्त फोन होतो.थोड्याफार गप्पा होतात, एका जवळच्या मैत्रिणीच्या मुलीला वाढदिवसाच्या शुभेच्छा व्हॉट्स अॅप वर पाठवल्या जातात. एवढे होत नाही तर सकाळची कामे खुणावत असल्याने ट्विंकल खन्ना चा लेख किंवा महिला सबलीकरणावरचे लोकांचे भाष्य हे सर्व "वाचू सावकाश" म्हणून बाजूला सारले जातात. 

पण या वर्षी मात्र सात मार्च ला पेपर मधल्या एका बातमीने माझे लक्ष वेधून घेतले. काही वर्षांपूर्वी पुण्यात कोथरूड येथे श्री. संजय भास्कर जोशी यांनी सुरू केलेल्या "पुस्तक पेठ" या पुस्तकांच्या नाविन्यपूर्ण अशा दालनाबद्दल ती बातमी होती. 
महिला दिनानिमित्त सर्व नामवंत लेखिकांच्या पुस्तकांच्या खरेदीवरच्या किमतीत चाळीस टक्के सूट दिली जाईल असे म्हटले होते. 

 पुस्तक पेठ सुरू झाल्यापासूनच त्याबद्दल कुतूहल जागृत झालं होतं. एकदा भेट द्यायलाच हवी असं कितीदा तरी मनात येऊन गेलं. पण प्राधान्य क्रमात बऱ्याच वरच्या क्रमांकावर असलेली ही इच्छा हळूहळू कधी खाली घसरत गेली हे मला कळलेही नाही. 
शाळेच्या व्यस्त दिनक्रमात, घरचे-दारचे बघण्यात दिवस निघून जायचे व मधेच आठवण आली तरी ती वेळ सोयीची नसायची. बघू नंतर कधीतरी असं स्वत:ला सांगत असताना दोन वर्षापूर्वी लॉकडाऊन सुरू झाला आणि हळूहळू पुस्तक पेठ हे नाव मन:पटलावरून धूसर होत गेले.  

खरं तर कधीतरी वेळ काढून जाणे सहज शक्य झाले असते. पण काही गोष्टी आवर्जून केल्या गेल्या नाहीत तर त्या होतच नाहीत नं तेच या बाबतीत झालं. पण आता मात्र जायचंच असं मनाशी पक्कं करत आठ तारखेला संध्याकाळी जायचे ठरविले. 

पौड रस्त्याजवळ  शिक्षकनगर भागात असलेले पुस्तक पेठ एका लहानशा घरात वसलेले आहे. बाहेर एक मोठेसे तुळशी वृंदावन. समोरच्या दोन पायऱ्या चढून आत गेल्यावर श्री. जोशी यांनी प्रसन्न मुद्रेने केलेले स्वागत. दोन्ही बाजूच्या भिंतीवर कविवर्य बोरकर आणि कवी ग्रेस यांच्या कवितांच्या ओळी छापलेले, कलात्मक रंगसंगती साधलेले बोर्ड्स. आणि सभोवती नीटनेटकी लावलेली असंख्य नवी कोरी पुस्तके. अगदी हरखून गेला जीव माझा. 

 मराठी पुस्तकांचे असे सान्निध्य कितीतरी वर्षांनी अनुभवत होते मी. अवतीभवती फक्त मराठी पुस्तके. अनेक प्रतिथयश लेखक-लेखिकांंची पुस्तके समोर दिसत होती. 
अनेक वेळा पुस्तकांच्या दुकानात जाऊन किंवा पुस्तक प्रदर्शनांना भेटी देऊन मिळणारा  आनंद वेगळा आणि ही अनुभूती  पूर्ण वेगळी होती. 


 लहानपणापासून इंग्रजी आणि मराठी या दोन्ही भाषांवर सारखंच प्रेम असल्याने आणि कुटुंबातील सगळेजण वाचन प्रेमी असल्याने घरात ढीगभर पुस्तकं असायची. त्याच बरोबर रीडर्स डायजेस्ट, इलस्ट्रेटेड वीकली, धर्मयुग, आनंद, किशोर यांचा ही रतीब असायचा. अमर चित्रकथा, चांदोबा, इंद्रजाल कॉमिक्स तर होतेच अवतीभवती. संस्कृत भाषेचा दांडगा व्यासंग असलेल्या आजोबांच्या कपाटात अमरकोशाचे खंड व त्यांची अनेक पुस्तके होती.
 
 पण मला भुरळ पाडली ती आईच्या पुस्तकांच्या कपाटाने. कवयित्री असलेल्या आईचा पुस्तकांचा संग्रह खूप मोठा होता. ब्राऊन पेपरचे कव्हर घालून पहिल्या पानावर तिच्या सुरेख हस्ताक्षरात नाव लिहिलेले असे. उत्तमोत्तम कादंबऱ्या, कथा आणि कवितासंग्रह, आत्मचरित्रे, काही तिची आवडती इंग्रजी पुस्तके असा खजिनाच होता आमच्यासमोर. 
 तसेच ललित, माणूस चे अंक ही असायचे. 
 अर्थात लहान वयात त्यातलं बरंचसं कळायचंही नाही पण तशी वाचायची मुभा असल्यानेच आम्ही सगळी भावंडे वाचन वेडे झालो. 
 आई बाबांबरोबर बरेचदा नागपूर च्या " साहित्य प्रसार केंद्र " या मराठी पुस्तकांच्या दुकानात जाणे व्हायचे. थोडीफार खरेदी व्हायचीच.  दर वर्षी शाळेची पुस्तकं घ्यायला ओल्ड वर्ल्ड चार्म असलेल्या "द वेस्टर्न बुक डेपो" या सदर मधल्या दुकानात जायला अतिशय आवडायचे. बाबांची अर्थातच तिथे एखाद्या डिक्शनरी ची खरेदी ठरलेली असायची. आमच्यावर मराठी व इंग्रजी वाचनाचे संस्कार होण्यत या दुकानांचा ही वाटा आहेच. 
 
तर हे सगळं असूनही मनापासून आवडलेलं पुस्तक विकत घेणं हे  माझ्या बाबतीत क्वचितच घडतं. त्यापेक्षा वाचनालयातून हवी ती पुस्तकं आणून वाचणं हे जास्त सोपं आणि सोयीचं होतं. कारण इतकी पुस्तकं घेतली तर जागेचा मोठाच प्रश्न उभा राहील. 

काही वर्षांपूर्वी पुण्यात कॅम्प भागात  उत्तमोत्तम पुस्तकांसाठी प्रसिद्ध असलेले मॅनीज हे दुकान बंद पडायच्या आधी बरीचशी पुस्तकं सवलतीच्या दरात विकली जातील असं समजलं. मुलांनाही वाचनाची आवड असल्याने आम्हा सगळ्यांचं तिकडे जाणं ओघाने आलंच. पुस्तकं चाळता - चाळता "द कश्मीर शॉल " हे रोझी थॉमस चं अप्रतिम पुस्तक सापडलं. स्वातंत्र्यपूर्व काळातील काश्मीर ची पार्श्वभूमी असलेल्या गोष्टीतील नायिका,वेल्श मिशनरी म्हणून भारतात स्थायिक झालेल्या तिच्या आजी बद्दल माहिती काढायला भारतात येते. तिच्या आजी कडे असलेल्या पश्मिना शालीचं मूळ ही तिला शोधायचं असतं. भारतात आल्यावर तिचा प्रवास अतिशय रोमांचकारी असतो. हे सर्वच मला खूप भावले व मी ते पुस्तक विकत घेतले. 

भारतीय पार्श्वभूमी वर परदेशी लेखकांनी बेतलेल्या कथा मला नेहमीच आकर्षित करतात. एम एम के चं "द फार पॅव्हिलियन्स" हे त्यापैकीच एक. 
मुलं लहान असताना त्यांच्यासाठी एनिड ब्लायटन चं " द सिक्स कझिन्स" हे पुस्तक आवर्जून घेतलं. एका प्रदर्शनात त्याची ओम्निबस आवृत्ती मिळाली होती. हे लहान मुलांचे असूनही माझा त्यातला रस थोडाही कमी झालेला नाही. 
पुण्यात क्रॉसवर्ड नुकतच सुरु झाल्यावर जंगली महाराज रस्त्यावरच्या दुकानात पाऊल ठेवल्यावर खूप आनंद झाला होता. पण हळूहळू कालांतराने या दुकानांमधला एक प्रकारचा अलिप्त भाव मनाला वेढून टाकायला लागला. एक थंड कोरडेपणा ज्यामुळे पुस्तक खरेदीतील आनंद जरा कमीच व्हायला लागला. 
पुस्तक पेठेत मात्र एकाएकी घरी आल्यासारखं वाटलं. एक उबदार आपलेपणा जो एखाद्या शाली सारखा आपसूक लपेटला गेला माझ्यावर आणि जणू म्हणत होता " किती दिवसांनी आलीस गं! आम्ही वाट बघत होतो ना! "

पुस्तक पेठेत त्या दिवशी मला असे जाणवून गेले की  आपण कित्येक दिवसात छानसे मराठी पुस्तक वाचले नाही. समोर होते एलकुंचवार, दुर्गाबाई भागवत, आशा बगे, सानिया, गौरी देशपांडे व आणखी कितीतरी. सगळी पुस्तकं माझं लक्ष वेधून घेण्यासाठी जणू हाका मारत होती मला. "अगं हे बघ, मी इथे आहे. मला पाहिलंस का? तुला आवडेल मला वाचायला. " 
मला काय करावे कळेना. सगळीच आवडीची आणि सगळीच हवीहवीशी वाटणारी. शेवटी मोनिका गजेंद्रगडकर यांचा "भूप" हा दीर्घकथा संग्रह विकत घेतला आणि विजयी वीरांगनेच्या थाटात घरी परतले. 

आपलं जगणं  नाना व्यवधानांनी इतकं बांधलं गेलं असतं  की काही काही गोष्टी आपल्य लक्षात यायला सुध्दा वेळ लागतो. एखाद्या गोष्टीची उणीव भासते ती देखील ती बाब समोर आल्यावरच. ते होईपर्यंत आपण त्या बाबतीत अनभिज्ञ असतो आणि रोजचं आयुष्य सुरू राहतं. पण कधीतरी अनपेक्षितपणे समोर आलेल्या आनंदाने  सुखावलेलं मन सांगत असतं, "अगं याचीच वाट बघत होतीस नं तू नेणीवेत ! आता जप हे सुख. जाणीवपूर्वक."

Thursday, February 24, 2022

Raza - A Tribute

He has never been too far from my mind since our meeting more than thirty years ago. A snippet of information in the newspaper, a chanced upon interview on Doordarshan or an article in a magazine was something that I absorbed with great interest. 

I clearly remember the day I met him.  Sayed Haider Raza, an artist of international acclaim and one of the founders of the Progressive Artists' Group that was formed soon after independence, was going to address a  small gathering of artists, litterateurs and some such like minded people. 

 My mother, an accomplished artist and a poet, was invited to attend the meet and I decided to accompany her. 
 
 It was a bright February morning and we walked through the quiet bylane off Wardha road to reach the entrance of The Rawal International hotel. We took our seats and within minutes were captivated by the straight from the heart talk that told us about Raza's journey from his birthplace in Madhya Pradesh through his early education, to his life in Paris and his yearning for his motherland. 

He spoke about his work, and the nuances and allusions that he made completely escaped me, as I wasn't an artist then nor am I one now. But what shone through was his humility and a certain gentleness that warmed our collective hearts. 

His reference to the "Bindu" , a subject of several of his paintings that has almost become synonymous with his name, has a connection with his childhood. While he was in school his mind often wandered away from his books. So one of his teachers simply drew a dot on a wall and made him sit down and concentrate on it. From there grew his fondness for the Bindu 
and the rest of course is history. 

His yearly pilgrimage to India and to Nagpur in particular was to meet his teacher of long ago and to pay his respects. Incidentally, his teacher, Mr Athavle was my mother's teacher too. 
She took her early lessons in painting from Mr Athavle, and I have a very vague memory of his small house with a yellow door that opened into the front room that always had a lingering smell of paints. 

After a while the talk came to an end, and after a brief goodbye we left for home. 
One thing that I can still recall about that morning is someone describing him as a *राजा माणूस* which obviously was an intended pun about his name - *रझा*. And it was so true. 

Just a few days ago I happened to read an article about him in the newspaper which said that Raza would have celebrated his hundredth birthday on Tuesday the 22nd of February. It was then that I remembered that I had written an article about that meeting with the celebrated artist more than thirty years ago, in the Sunday magazine of The Hitavada, a Nagpur daily. 

I was a fresh journalism graduate, young and impressionable. So a certain amount of naivete is bound to reflect through my words. But what I wrote then holds true even today as I post this tribute for an unusual artist Sayed Haider Raza. 


Sharing my article in The Hitavada. 

Rarely does one come across a person who captures not only one's heart but one's mind as well in a short span of time. He strikes a definite chord somewhere deep inside, thereby transforming a casual meeting into something that can be cherished forever. Sayed Haider Raza, a painter of international repute does just that and wins one over without a conscious effort to do so. 

There are no visible signs that could possibly suggest his vocation. Not conforming to the generalised image of an artist, he does not sport a beard and dislikes untidiness in any form. No bohemian painter this. 

One finds oneself looking at a casually attired man with intense brown eyes, a face that reflects an inner strength which becomes an almost tangible force when he begins to speak. 

Born in a remote village in Madhya Pradesh, Raza, after having completed his early education in India was awarded a scholarship by the French government. He studied at the famous Ecole des Beaux Arts in Paris. 
Married to Janine, a French artist, he has been living in Paris for the last thirty-seven years. But, says he, " I cannot forget India. I keep coming back to revitalise myself". 

His feelings get more and more obvious as he reminisces about his childhood. He pauses suddenly mid-sentence wistfully reliving the past. 
Looking rueful he says, "I wish I could stay here today, tomorrow and the day after". 

As he goes on to talk about art which is his forte, one senses a kind of restlessness within him that wouldn't allow him to remain passive. A perfectionist himself Raza feels very strongly about mediocrity in art. 
His recent paintings which centre round the theme of 'Panchatatva' reveal his search for the metaphysical aspect of life. 

He claims that his work expresses all that he can't put into words. 
Unpretentious as he is Raza has something to say to each and every one of his friends, fans and admirers and at the moment of parting I can only say Au Revoir Monsieur....


I remember asking him for his address which he readily wrote down on a piece of paper. My only regret is that I never did pursue the idea of writing to him. That, I'm sure, would have given me a treasure trove of beautiful memories. 

Little did I know
When I met you long ago
You would linger
In my heart and mind 
Like a fragrance 
Of a flower 
That stands out
In a bower
As it's  truly
One of a kind.